Showing posts with label charles dickens. Show all posts
Showing posts with label charles dickens. Show all posts

Saturday, December 22, 2018

And a Very Happy Humbug To All

Miserly person that I am, I'm somewhat recycling last year's Christmas gift to my fellow Sardonickists, with just a few Santa-like tweaks to the side of the nose to make this post seem all new and shiny. 

I wrote previously, and at some length, that in the good old 19th century days of mass immigration, back when the future Lady Liberty's "give me your tired, your poor" mantra was actually taken literally, Christmas was celebrated by the teeming masses more in the spirit of Halloween than in the current "traditional" version which Charles Dickens made so sentimentally popular with his tale of the miser who suddenly gets "woke" by his nightmares and who salves his conscience by giving his clerk's family one opulent Christmas dinner, one measly raise, and one lousy day off.

Back in the good old days, working class holiday revelers acted like the Gilets Jaunes of France. They assailed the wealthy by wassailing the wealthy in a winter form of Trick or Treat. Give us money and a decent wage and some of your food, or we'll smash things. That unrest spurred the rich propertied classes to bring their own Yuletide revelry behind their bolted doors. They encouraged poor people to follow their example, and just stay the hell home. 

Dickens could even be considered the literary precursor of neoliberalism and  trickle-down economics. His poverty-stricken, orphaned heroes in his most popular books ultimately prevail. They survive and come out of penury not through the imposition of taxes on the aristocracy, with the upshot of a more equitable society, but in the miraculous discovery of some long-lost aristocratic relative. David Copperfield finds his wealthy aunt, Oliver Twist is rescued by a benevolent gentleman who turns out to be his grandfather, Esther Summerson (one of the few Dickensian female characters who isn't a complete simpering dolt) both inherits a bundle and finds true love despite a smallpox-scarred countenance. Naturally, these lucky few had mothers who were either sluts, improvident, dumb, or all three. The heroes were selfless bootstrappers who overcame adversity through hard work, grit, maybe a little honest theft, and determination -- and long-lost benefactors.

Pip in Great Expectations is somewhat of an outlier in the Dickens canon. He goes through several transformations, from naive child, to snobbish gentleman, to "woke" individual who finally overcomes his snootiness and finds some humanity after discovering that his particular benefactor is a convicted felon. He even gets to marry the benefactor's snooty daughter in the Hollywood film version.

It isn't until Dickens' later novels that he examines wealth inequality and societal injustice. From going to "living happily ever after" upon the acquisition of riches, his characters come to realize that money is no guarantee of a happy life. His last work, Our Mutual Friend, proved unpopular with both the critics and the public because it turned the rags to riches myth right on its head. The family at the center of the book inherits a ton of cash, and misery and vacuity and conspicuous, tasteless consumption ensue. 

I used to be a fan, but now I'm just not that into  A Christmas Carol, whose moral value to the modern-day wealthy is that it permits them to be stingy and selfish on the other 364 days of the year. The working class as portrayed by the Cratchits were meekly accepting of their lot, as all of us should be. Christmas is still largely an indoor festival, and not just because it's cold outside. And it's that one special time of year for the ruling class to wear their noblesse oblige proudly on their sleeves for the relative minute out of their lives that it takes to play Santa. And then they ostentatiously send the video clips of their good deeds to all the news sites and networks to ensure that the gratefully quiet rabble won't miss even one second of their conspicuous, yet fleeting, beneficence. 

Case in point: 





And since Barack Obama has always prided himself on his "balanced approach" to inequality, here's Mrs. Claus in a pair of glittery, gaudy $4,000 boots whose material appears to have been prised right off the walls of Trump's Fifth Avenue Versailles palace and then glued directly onto what Victorian writers in the age of Dickens so delicately used to describe as "limbs."






(Sorry for the Santa redundancy at the end of the above clip, but it was the least gushy and the shortest that I could find from my Google search of this vapid event.)

If this approach still isn't quite balanced enough for you, then do check out Santa Barack's recent visit to a Neocon think tank in Houston, where he shamed a whole roomful of Oil and Gas titans out of $5 million of their polluted cash. Not for sick children, mind you, but to help promote his Mutual Friends in the Neoliberal World Order Club.



The problem of the super-wealthy and the ruling class, folksily lectured Obama to the oligarchs, is that they haven't adapted quickly enough to the mass disaffection of the dispossessed rabble. The elites are just too smug, he smugly remarked, to much appreciative smug laughter and applause from the elite audience. They wouldn't recognize a veiled insult if it hit them like a gentle ocean breeze. Them selfish? They are Thought Leaders whose only goal is to make the world a better place.

God bless us, everyone.

Wednesday, December 21, 2016

What the Dickens?

When even diehard American fans of the literary inventor of Christmas can't get along, can we really expect the rest of the country to declare a political truce in honor of the season?

A feud between two New York factions of the international Charles Dickens Fellowship has been simmering for so long (two decades) that members can't even remember the initial cause. It might have had something to do with who broke a rented VHS tape of an old Oliver Twist movie. Or it might have had something to do with the leader of one faction having a dual career as a Franciscan friar and a parole officer. Even though the clubs meet in the same branch of the public library every month, they just can't get up the nerve to attempt a reunification. Not even during Christmas.

I'd be tempted to call them the literary version of the Democratic Party, except that regardless of whether they're Dickens Friends or whether they're Dickens Fellows, they are truly egalitarian. The Democrats claim to have a big tent, but it's more like a luxury high-rise with a paltry few tax deductible "affordable" units and a special door reserved for poor, rural working class tenants. Only party elites are allowed to vote for the party chairman.

But when it comes to their mutual love for David Copperfield and Pip and Oliver, wonky elites with Ph.Ds don't lord it over Dickens readers who are truck drivers, or even high school dropouts. Anybody can join either club, or both clubs, and everybody has a vote over which book to read and discuss next.

The New York Times recently published a droll spread on the Friends' and Fellows' respective big holiday spreads, held on the same exact day. Given that very few people read any more, and that bibliophiles are apt to start dying off sooner rather than later, the two sides of the Dickens Fellowship will likely join forces eventually if the Fellowfriendship has any hope of survival.

Readers of Dickens and readers of all good books will have to unite if for no other reason than to do battle against the Non-Reader-in-Chief, Donald J. Trump. Ignorance, contrary to what Big Brother decreed, is not Strength.

Meanwhile, as the New York Sun reported back in 2004, feuds among bibliophiles aren't all that rare. Even Shakespeare has his rival fan clubs:
At least two groups regularly host Shakespeare-related events in the city.
"Shakespeare is so popular and so broadly appreciated that it serves the purpose of appreciation to have as much as we can," said Adriana Mnuchin, co-founder of the Shakespeare Society, many of whose events regularly take place at the Kaye Playhouse.
And what do you know: Adriana just happens to be married to former Goldman Sachs financier and Hollywood mogul Steve Mnuchin, who is bibliophobe Donald Trump's pick for treasury secretary. Appropriately enough, she once staged a Broadway production of Macbeth with Patrick Stewart, who has also famously played Ebenezer Scrooge.

It's a small plutocratic world after all.

Next up: a reality show White House staging of King Lear, starring Donald as the demented monarch and First Ladymotherdaughter Ivanka as Cordelia. 

The plot thickens, however. The New York Observer, which is owned by Ivanka's husband Jared, published a snarky article about the Mnuchins' luxury New York digs just last year. It seems that Daddy-in-Law's Treasury Secretary had bought the spread for $14.5 million under cover of a tax-avoiding LLC called "Nukes" and he then tried to make a killing by immediately relisting it at $17 million. The poor billionaire ended up getting the short end of his own stick:
Though it has finally gone into contract, it’s only managed that feat after some large cuts—it was last listed for just $13.9 million. The owners must be quite desperate to get rid of it, considering that they will actually be losing money from what they (over?) paid in 2011.
It doesn’t sound so bad. It has two fireplaces, oak herringbone floors throughout, French doors opening up to a terrace, and a 36-foot entrance gallery. There’s also a master suite with 18 feet of custom closets, as well as a bathroom with radiant heated floors and a Jacuzzi soaking tub.

 It even has what the listing, held by Douglas Elliman’s Joan Swift, Vanessa Kitchen and Barton Brooks, declares to be the “ultimate” luxury: heated sidewalks on the front steps, sidewalk and backyard, so that the owner won’t ever have to deal with the indignity of shoveling snow.
Now that Mnuchin looks to become Treasury Secretary, perhaps he can unload future properties on some needy Russian oligarchs seeking access or deals, maybe even the one named Vladimir. He will never have to worry about looking at melted snow again.

As far as Trumpian entertainment goes, therefore, we might have to settle for alt-right advisor and Goldman Sachs alum Steve Bannon's hideous outer space version of the bloodiest Shakespeare play of them all: Titus Andronicus. Trump would probably make it required, taxpayer-funded viewing on PBS, with lots of commercial interruptions and kickbacks from the good folks at Exxon-Mobil, which helped underwrite Trump's whole $5 billion advertising campaign on CNN, Fox and MSNBC.

Well... this particular blog-post certainly has ended up seriously digressing from Charles Dickens to the Two Steves of Goldman Sachs, hasn't it?  So I think I'd better quit right now, before I veer off into analyzing Frosty the Snowman.